1.0ArteVarese.comhttps://www.artevarese.comartevaresehttps://www.artevarese.com/author/artevarese/rich600338<blockquote class="wp-embedded-content" data-secret="1yEX7JC1BK"><a href="https://www.artevarese.com/il-restauro-del-contemporaneo/">Il restauro del contemporaneo</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.artevarese.com/il-restauro-del-contemporaneo/embed/#?secret=1yEX7JC1BK" width="600" height="338" title="“Il restauro del contemporaneo” — ArteVarese.com" data-secret="1yEX7JC1BK" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l<n.length;l++)n[l].style.display="none";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document); </script> Quattro opere d'arte contemporanea, ciascuna da considerarsi un unicum per i materiali che le compongono: materiali fragili per loro natura o colori sintetici dei quali si ignora il comportamento nel tempo, soprattutto in situazioni estreme. Quattro restauri per sperimentare soluzioni non comunemente impiegate nei procedimenti tradizionali, dettate dal proprio degrado, che hanno dato il via a ricerche scientifiche […]